Venkatesa Supbrabhatan: The Story of India's Most Popular Prayer
Benkatash Parthasarathy
New Delhi: Westland Publications, 2020
There is hardly anyone in South India who hasd not heard the lilting sould stirring Venkteasa Subprabhatam rendered and sung in the most melodious voice by M S Subhalakshmi. Composed in the fifteenth century byPrativadi Bhayankara Anna this song has now become the ubiquitous hymn for Vishnu in his upa avatara as Venkatesvara, the Lord of the Tirumula Hills. This book is an interesting account of the song and its cultural and religious context. The author has done a good job in tracing the theological and philosophical background of Vaishnavism in the post Ramanuja epoch (1017-1137). My Grandmother could recite the entire Suprabhatam and her day started with a prayer to Venktesvara of Timumala Tirupathi. And this book is a good introduction to those who have heard the song and wondered what it signified.
Sri Vaihnava religion is predicated upon the belief that Vishnu the Supreme and to be worthy of prapthi or Salvation the Grace of the Lord is important and the Grace can be acquired through prayer and meditation as well as by leading a worthy and sinless life. But the grace or benediction is entirely left to Vishnu/Perumal/ Mayon. He can grant it at his pleasure and hence the two famous Schools which sees Garce asa product of our effort and the other which recognizes only the will and pleasure of the Lord of Vaikunta. From a very early period, Tirumal Hills were associated with the worship of Mayon or Vishnu and is one of the 108 divya desham of the Sri Vaihnava tradition. And in Tondaimandalam of the medeival Tamil region, Tirumala Hills remained as important in sanctity as Kanchipuram and Sriperunbadur, the birth palce of Ramanuja. The hymns of the Alzhwars are rich in poetic expressions of immense passion towards the Deity and the language in which this devation was expressed freely drew from the corpus of early bardic composition, especially from the akam genre of poems. Andal, the poet of Srivilliputtur about whom the great king of Vijayanagara wrote in his Amuktamaldaya is the mast note votary of of Passion though poetic imagery and metaphor. The composer of the Suprabhatam drew from this rich repetoire of philosophical and religious texts.
The interesting feature of the rituals performed in the temple is that it maintained the circardian rhythm of a human. The Lord wakes up in the morning to the melody of the Suprabhatam and all the rituals mimic the activities of a human. Thus the importance of Prasada or cooked food offered to the God as talligai. From the reign of Saluva Narashima, the sale of prasada became an important feaure of the activities of the temple. Throughout the Vijayanagara period, Temple ritual was carried out on the basis of the Vaikhanasa tradition, unlike the panchratra tradition in the other graet Sri Vaishnava shrine, Srirangam Devalaya of Ranganatha.
This book tries to explain in a simple manner the complex set of ideas and concepts that are buit into this famous poem an d even the reference to antaryami is beautifully explained. I enjoyed reading this book. Though it was rather thin on the History, both intellectual and political, of the Sri vaishnava shrine, this book must be read by all those who beleive that the Grace of Venkatesva is necessary for their earthy and spiritual well being.
